Beyond design

Institutionalizing the creative turn in Vietnamese universities

Authors

DOI:

https://doi.org/10.32674/1vqmp746

Keywords:

Cultural and Creative Industries, Creative Economy, Governance, Higher Education , Vietnam, Institutional Isomorphism

Abstract

Vietnam’s cultural and creative industries (CCIs) policy is among the most explicitly articulated in Southeast Asia, particularly in its delineation of subsectors, GDP-oriented targets, and the strategic role assigned to universities. However, after more than a decade, the formal adoption of CCIs frameworks often appears to outpace substantive operational change. Drawing on neo-institutional theory, especially institutional isomorphism and organizational decoupling, this study analyzes eleven interviews across Hanoi-based higher education institutions alongside national policy documents (2013–2025). The findings indicate that universities respond to reform pressures by adopting formal markers of alignment, while core pedagogical practices remain relatively unchanged, positioning Vietnam as a critical case of policy-driven convergence without equivalent transformation.

Author Biographies

  • PHAM Quynh Phuong, VNU School of Interdisciplinary Sciences and Arts

    Pham Quynh Phuong is Associate Professor at the VNU School of Interdisciplinary Sciences and Arts, Vietnam National University Hanoi. Her research focused on the social changes in contemporary Vietnam, including religious transformation and the LGBT movement. She is the author of Hero and Deity: Tran Hung Dao and the Resurgence of Popular Religion in Vietnam (Silkworm Books, Mekong Press 2009) and Social Changes in Contemporary Vietnam: A Study on the Movement of Gay, Lesbian and Transgender (Social Sciences Publisher, Hanoi 2022). She is currently working on urban heritage and creative industries.

  • PHAN Quang Anh, Vietnam National University Hanoi

    Phan Quang Anh is a Lecturer in Cultural and Creative Industries at the School of Interdisciplinary Sciences and Arts, Vietnam National University, Hanoi (VNU-SIS). Before joining VNU-SIS, he was a Postdoctoral Research Fellow in Social Anthropology and Cultural Studies at the University of Zurich (Switzerland), supported by the Swiss Government Excellence Scholarship (ESKAS). He received his PhD in Communications and New Media from the National University of Singapore (NUS) in 2019 and earned a Master's degree in Cultural and Critical Studies from the University of Westminster (UK) in 2013. His research spans a wide array of topics, with particular focus on the creative economy, gaming industry, and processes of social transformation in Vietnam. 

  • DAO Manh Dat, Vietnam National University Hanoi

    Dao Manh Dat is a lecturer at the Faculty of Arts and Design, VNU School of Interdisciplinary Sciences and Arts. He earned his Ph.D. in Art Studies from the Vietnam Academy of Social Sciences (2017) and previously obtained his Bachelor's degree from the Hanoi University of Industrial Fine Arts. His research interests include cultural industries, applied graphic arts, art history, and Buddhist art. His work examines the intersections of visual culture, heritage, and creative practice in contemporary Vietnam.

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Additional Files

Published

2026-06-15

Issue

Section

Education, Technology, and Scientific Innovation

How to Cite

Pham, Q. P., Phan, Q. A., & Dao, M. D. (2026). Beyond design: Institutionalizing the creative turn in Vietnamese universities. Journal of Interdisciplinary Studies in Education, 15(4), 249-282. https://doi.org/10.32674/1vqmp746